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X-WR-CALNAME:Giving VOICE: Native American Printmaking from Crow's Shadow I
 nstitute of the Arts
X-WR-TIMEZONE:Eastern Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847246480
DTSTART;VALUE=DATE:20221001
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847329425
DTSTART;VALUE=DATE:20221002
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847333522
DTSTART;VALUE=DATE:20221003
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847339667
DTSTART;VALUE=DATE:20221004
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847357076
DTSTART;VALUE=DATE:20221005
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847360149
DTSTART;VALUE=DATE:20221006
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847362198
DTSTART;VALUE=DATE:20221007
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847369367
DTSTART;VALUE=DATE:20221008
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847371416
DTSTART;VALUE=DATE:20221009
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847381657
DTSTART;VALUE=DATE:20221010
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847386778
DTSTART;VALUE=DATE:20221011
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847407259
DTSTART;VALUE=DATE:20221012
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847410332
DTSTART;VALUE=DATE:20221013
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847413405
DTSTART;VALUE=DATE:20221014
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847416478
DTSTART;VALUE=DATE:20221015
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847471775
DTSTART;VALUE=DATE:20221016
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847480992
DTSTART;VALUE=DATE:20221017
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847484065
DTSTART;VALUE=DATE:20221018
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847487138
DTSTART;VALUE=DATE:20221019
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847491235
DTSTART;VALUE=DATE:20221020
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847493284
DTSTART;VALUE=DATE:20221021
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847496357
DTSTART;VALUE=DATE:20221022
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847499430
DTSTART;VALUE=DATE:20221023
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847504551
DTSTART;VALUE=DATE:20221024
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847507624
DTSTART;VALUE=DATE:20221025
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847510697
DTSTART;VALUE=DATE:20221026
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847513770
DTSTART;VALUE=DATE:20221027
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847515819
DTSTART;VALUE=DATE:20221028
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847517868
DTSTART;VALUE=DATE:20221029
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847519917
DTSTART;VALUE=DATE:20221030
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847522990
DTSTART;VALUE=DATE:20221031
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847526063
DTSTART;VALUE=DATE:20221101
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847529136
DTSTART;VALUE=DATE:20221102
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847534257
DTSTART;VALUE=DATE:20221103
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847536306
DTSTART;VALUE=DATE:20221104
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847539379
DTSTART;VALUE=DATE:20221105
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260714T193133Z
UID:tag:localist.com\,2008:EventInstance_41171847542452
DTSTART;VALUE=DATE:20221106
DESCRIPTION:Curated by Robin Reisenfeld\, former curator of works on paper 
 at the Toledo Museum of Art\, and faculty member in modern and contemporar
 y art at Christie’s Education\, New York. \n\nGiving VOICE: Native Ameri
 can Printmaking showcases recent Native American prints from Crow's Shadow
  Institute of Art\, located on the Umatilla Reservation in northeastern Or
 egon. With its roots in collaborative practice and community\, Crow’s Sh
 adow was established in 1992 by James Lavadour (Walla Walla) and Phillip C
 ash (Cayuse and Nez Perce) to foster economic and cultural development for
  Native American artists. Since its founding the Institute has grown into 
 an internationally acclaimed printmaking atelier that is widely recognized
  for its role in sustaining contemporary indigenous visual art.\n\nFeaturi
 ng 40+ works created by many of today’s leading artists\, Giving VOICE p
 ortrays a variety of experiences and themes found within contemporary indi
 genous art. Created through diverse styles and processes\, works range fro
 m Marie Watt’s recent woodcut designs that symbolically allude to the wa
 r protests and anti-hate content of the 1960’s\, to Raven Chacon’s lit
 hographic series of musical notations dedicated to Indigenous women compos
 ers. Other artists such as James Lavadour\, Kay Walking Stick and Emily Ar
 thur make the natural environment and the connection to the land their foc
 us. Alternatively\, Wendy Red Star’s and Jim Denomie’s ironic depictio
 ns address communal history and identity to reclaim their indigenous herit
 age and counter misunderstandings about Native people. Though highly indiv
 idual in approach and content\, collectively these works display what Choc
 taw/Chickasaw art historian heather atone has termed “an active sense of
  presence\,” and attest to how Crow’s Shadow’s artists innovatively 
 utilize printmaking to powerfully convey indigenous cultural and social va
 lues and a communal sense of belonging.\n\n \n\nGallery Hours\n\nMonday:  
 CLOSED\n\nTuesday - Saturday: 11 a.m. to 4 p.m.\n\nThursday: 6 p.m. - 9 p.
 m.\n\nSunday: 1 p.m. - 4 p.m.\n\n \n\nClosed University Holidays
GEO:41.37668;-83.633721
LOCATION:Fine Arts Center\, Dorothy Uber Bryan Gallery
SUMMARY:Giving VOICE: Native American Printmaking from Crow's Shadow Instit
 ute of the Arts
URL;VALUE=URI:https://events.bgsu.edu/event/giving_voice_native_american_pr
 intmaking_from_crows_shadow_institute_of_the_arts_7345
CATEGORIES:Performances and Exhibits
END:VEVENT
END:VCALENDAR